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Copper studio arrangement October 4

2020, Copper, canvas, paper, mortar, and pestle

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Alexandra

Robinson

Crit Group 22

The Contemporary Austin Crit Group 22

100%�Authentic(ation) Flags

2020, Fabric, thread, and polyester filling, 96 x 40 x 60 in

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Annie

Arnold

Crit Group 22

The Contemporary Austin Crit Group 22

Merit badges from social activities, no 5 (intentions)

2020, Embroidery thread, embroidered patches, and zippers on canvas, 38 x 31 in

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Cheyenne

Weaver

Crit Group 22

The Contemporary Austin Crit Group 22

Perfectionism

2020, Ceramic and whitewash made with limestone from West Bouldin Creek, Austin, Texas, 20 x 14 x 11 in

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Lydia

Garcia

Cloud Tree Studios & Gallery

Copper, rust, coffee filter (not the eco-friendly kind)

2020, Copper, rust, coffee filter, 24 x 12 in

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Lydia

Garcia

In the Studio, October 4, 2020

2020, Copper, canvas, natural ink, mortar and pestle, Dimensions variable

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Lydia

Garcia

Pokeberry study with second batch, Laguna Gloria #2

2020, Pokeberry, isomalt, acrylic, 3 x 5 x 1.5 in

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Lydia

Garcia

Pokeberry study with second batch, Laguna Gloria #1

2020, Pokeberry on acrylic tile, 2 x 2 in

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Lydia

Garcia

Organic Indigo

2020, Indigo on plexiglass, 11 x 14 in

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Lydia

Garcia

Black Bean Study

2020, Natural ink on paper, 24 x 18 in

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Michael

Stephen

Crit Group 22

The Contemporary Austin Crit Group 22

Untitled (Cosmos), from the Purple "Trash Magick" series

2020, Slip-cast and hand-altered earthenware and acrylic paint, 7 x 4 x 1.5 in

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Rakhee

Jain Desai

Crit Group 22

The Contemporary Austin Crit Group 22

Untitled (detail)

2020, Beeswax, turmeric, dye, mother's chiffon sari, grandmother's organza sari, fitted bedsheet, linen, and wire cable, 96 x 72 x 60 in

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Saul Jerome E.

San Juan

Crit Group 22

The Contemporary Austin Crit Group 22

Ferrell I

2018, Oil on canvas, 14 x 11 in

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Sean

Ripple

Crit Group 22

The Contemporary Austin Crit Group 22

terminated by an empty line�(still)

2020, Screenshot from an emergent digital film streaming online

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Lydia Garcia

About the Artist

Lydia Garcia is a native Central Texan with a BFA from the University of Texas at Austin. Along with her active studio practice she created Ochre and Iron, an entity that creates natural ink and pigments from regional ingredients with a focus on experimentation and communal education.

Artist Statement

Lydia Garcia is a visual artist exploring the character of organic materials and the human behaviors that alter the elements in a landscape. Through abstract images created on various substrates, Lydia works with light, video and paintings. Raw pigments and handmade colors produce organic formations and ambient environments through a process of experimentation. She is interested in the temporal limitations on organic materials such as plants, geological forms, and natural chemicals.

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Crit Group 2020

About the Artist

Crit Group 2020 Group Exhibition features work by eight artists who completed The Contemporary Austin's program that combines group critique with professional development to support the holistic artistic practice of local artists.

Artist Statement

During a challenging year, the Crit Group program aspired to build a supportive community of Austin artists and to sustain and strengthen their practices with input from each other and established professionals in the field. The culminating exhibition is on view at grayDUCK Gallery November 14 through December 13, 2020, free and open to the public by appointment. Dynamic and relevant, it features new work in diverse media by these eight talented Austin-based artists: Annie Arnold, Rakhee Jain Desai, Lydia Garcia, Sean Ripple, Alexandra Robinson, Saul Jerome E. San Juan, Michael Stephen and Cheyenne Weaver.

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